Biography of Sacco and Vanzetti
Name: Sacco and Vanzetti
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Sacco and Vanzetti
Nicola Sacco (died 1927) and Bartolomeo Vanzetti (1888-1927), Italian-born anarchists, became the subject of one of America's most celebrated controversies and the focus for much of the liberal and radical protest of the 1920s in the United States.The execution of Nicola Sacco and Bartolomeo Vanzetti in Boston in 1927 brought to an end a struggle of more than 6 years on the part of Americans and Europeans who had become convinced that they were innocent of the crimes of robbery and murder. For a sizable portion of the American intellectual community their case symbolized the fight for justice for ethnic minorities, the poor, and the politically unorthodox. The case had a catalytic influence on the subsequent development of leftist thought in America.Sacco was born in Torremaggiore. When he was 17, he immigrated to the United States. He learned the trade of shoe edge-trimming and settled in Milford, Mass., working for a local shoe …showed first 150 words…
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…showed last 150 words…racial and political prosecution. Associated Events Sacco-Vanzetti Case, 1927 Further Reading Published material on the Sacco-Vanzetti case is voluminous. The classic brief for the defense is Felix Frankfurter, The Case of Sacco and Vanzetti (1927). G. Louis Joughin and Edmund M. Morgan, The Legacy of Sacco and Vanzetti (1948), an almost exhaustive résumé and analysis of the evidence, strongly upholds their innocence. Robert H. Montgomery, Sacco-Vanzetti: The Murder and the Myth (1960), concludes they were guilty, while Francis Russell, Tragedy in Dedham (1962), accepts the state's ballistics evidence and the guilty verdict for Sacco but exonerates Vanzetti. David Felix, Protest: Sacco-Vanzetti and the Intellectuals (1965), is more concerned with describing the development of the Sacco-Vanzetti "myth" and its impact on American intellectuals in the 1920s. Much of the atmosphere of the Sacco-Vanzetti protest movement can be gleaned from Upton Sinclair's novel Boston (1928) and John Dos Passos' The Big Money (1936) and U.S.A. (1937).
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